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Murakami transports readers into the backseat with these two, where they can feel the gears shift, leather crunch and heavy silences linger as the actor unpacks his suffering.
“Kino” is right out of Murakami’s signature hazy, off-kilter world.
Younger women do look hot, are fun to be with and are daring, but you cannot deny the fact that they are too impulsive, childlike and demanding.
While, you can still settle for someone fairly less good looking, sacrificing on maturity is a big no-no.
Verhoeven and Soeteman wrote the screenplay over a period of almost 20 years, and they finally solved many script problems by making the main character a woman.