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Additionally, Greg and Devin also had data that they had been collecting from Fender amps for years. Everything is confidential, we don't make record of who owns what amp in the database.We combined all of our information into a computerized database for this project and for the past 18 months have been slowly (sadly, very slowly) gathering information that we collect ourselves as well as from other people. What we need is the following: 1) Model name 2) Model number on the tube chart 3) Date code letters on the tube chart 4) Speaker codes (if speaker is original) 5) Transformer codes (if the amp doesn't have date codes on the tube chart) 6) Cosmetic features (flat/raised logo, tweed/tolex, blackface/silverface, rough/ smooth blond tolex, white/skirted knobs, TV-front/wide-panel, etc.) One very interesting and very important factoid has surfaced regarding the date code letters on the tube chart.I am new to Squiers also so if any of this information is false I apologize, but it is true according to the online sources that I have read. Good luck with your Squier, Bill I was looking at a squier affinity strat made in Indonesia, sunburst body with rosewood fret board and late 60's/70's style headstock, today in a store serial no. The action was high and switch in position one didn't produce sound through the amp, guy in shop said that he'd fix them prior to selling. Thanks I was looking at a squier affinity strat made in Indonesia, sunburst body with rosewood fret board and late 60's/70's style headstock, today in a store serial no. The action was high and switch in position one didn't produce sound through the amp, guy in shop said that he'd fix them prior to selling.
Art was blown away by what he described as "the speakers' exceptional easethat too-rare quality in which music is neither shot nor squeezed, toothpaste-like, at the listener, nor left hanging stagnant, half a world away. Measurements I used DRA Labs' MLSSA system and a calibrated DPA 4006 microphone to measure the Auditorium 23 speaker's frequency response in the farfield, and an Earthworks QTC-40 for the nearfield and in-room responses.
With record after record, music simply happened; although there's no way to know for sure, I was always left with the sense that the force behind its remaking was on a par with the force behind its making. I left the woofer-level settings at those chosen by AD for his listening, "6" for the 12" driver and between "4" and "5" for the 7" driver, and the field-coil power supply set to his preferred 6.4V.
Some of the most collectible vintage Martin flat tops include the Dreadnoughts from the 1930s, but any 12 or 14-fret steel-string models from the mid-1920s until the mid-1940s will bring a good price.
The best part about collecting Martin guitars is that the company has made it so easy—vintage Martin guitars from 1898 to the present are easy to date because each instrument has an individual serial number. Gretsch competed with both companies via its line of Synchromatics, which had a cat’s-eye sound hole (Gibson and others went with more traditional f-holes).
At this same time, the logo lost it’s tail and power was boosted to 70 watts.